Each image, a portrait of Herero tribe members of Namibia, reveals a material culture that harkens the region’s tumultuous past: residents wear Victorian era dresses and paramilitary costume as a direct result and documentation of its early 20th century German colonization.
These portraits are not intended to serve as a conventional documentary of Herero culture. They do not capture the subject in a snapshot of everyday life nor with objects typical of routine or social station. Subjects are removed from their home and intentionally suspended in a confrontational posture. As such, their identity as Herero tribe members is reified in their garments and their gaze, a colour and vibrancy brought into acute focus by the contrasting setting.
By composing these portraits against the Namibian landscape — one of unforgiving intensity but also of silent witness — there is an enlivening that takes place in an otherwise frozen moment. The still space, the direct gaze, the re-appropriated cloth combine to curate a stillness that allows the past to speak.